Filed under
William Klein, American (b. 1928)
William Klein - Dorothy + Hotel du Sud
William Klein
Dorothy + Hotel du Sud
Silver Gelatin Photograph
1963, Printed Later
41 1/4 x 32 1/4 inches

Signed, titled and dated in ink on mount verso

View William Klein - Untitled , St. Patrick's Day March, Fifth Avenue photograph
View William Klein - Smoke and Veil photograph
View William Klein - Simone and Nina, Piazza di Spagna photograph
View William Klein - Dorothy + Hotel du Sud photograph
View William Klein - Olympic Wrestling Team, Rome Vogue 1960 photograph
View William Klein, "Hat and Five Roses, Paris (Vogue)" photograph
View William Klein - Anouk Aimee, Paris photograph
View William Klein - Dorothy + Japanese Lights, Paris photograph
View William Klein - Dorothy + Formfit, Paris photograph
View William Klein - Dorothy + Scout + Ball, Paris (Vogue) photograph
View William Klein - Opera + Blank Faces, Paris photograph
View William Klein - Club Allegro Fortissimo, Paris photograph
View William Klein - Models backstage, film "Who are you, Polly Magoo?" photogra

William Klein first gained distinction in the mid-twentieth century for his original approach of creating ironic fashion photography through using innovative and unusual techniques. Now widely considered both a revolutionary photographer and filmmaker, Klein originally trained as a painter studying under Fernand Léger in the 1950s bringing an artist’s sensibility to all the media in which he worked. It would be the medium of photography in which Klein first achieved widespread acclaim shooting street photography of various cities winning the Prix Nadar in 1957 for his images of New York City. He also created avant-garde commercial fashion photography during his time at Vogue from 1954 to 1966 earning a reputation as an iconoclast using wide-angled lenses to create surreal effects and introducing movement and energy in the form of blurred motion into his naturally lit street shoots that often mockingly approached the world of fashion.

By the beginning of the 1960s when Klein was solidifying his reputation as a photographer, he was turning increasingly towards filmmaking blurring the boundaries between both mediums. He said, “I learned a lot taking fashion photographs – how to use lights, sets, locations – how to come up with ideas under pressure. Which was preparation for later doing tight movie schedules.” Carrying over Klein’s ironic approach to fashion, his first full-length film that he wrote, directed, and designed was the satire “Who Are You, Polly Maggoo?” Made in 1965 and 1966, it was inspired by his years at Vogue becoming a kind of unsympathetic postscript to his fashion years and the media even including a spoof of Diana Vreeland. Like his other two fiction features, "Mr. Freedom” and "Le Couple Témoin", it is a satire. Klein has directed numerous short and feature-length documentaries and has produced over 250 television commercials. Today he is most remembered for his unorthodox photographic techniques which jolted the world in the 1950s and 1960s forever changing how the medium.